Also, bearing in mind the build quality (high) and the fact that you are getting two effects in one, it's reasonably prices, too. There is a cool feature on the Comp 66 that solves this problem: a clean mix control which allows you to blend your original sound with the compressor in small increments to get the desired amount. The footswitch is not "true bypass", but the bypass is clear enough. Visual Volume; The Hubcap Speaker Grill; Custom Shop Overdrive; Time Bandit; V3 Archive. As always, check out the video to hear the pedal for yourself. It's a bit bigger than a Boss pedal, occupying about the same overall footprint area as a Barber/Diamond/BBE-size box. Although it can compress heavily, it's not so great at peak limiting. Once again there is the great feature of a blend control between your normal tone and overdrive, plus two different “voices” (once again these are demonstrated on the video). Designed for both guitar and bass, this is claimed to solve all your compression and overdrive needs. The route 66 V3 is an overdrive/compression pedal in one, containing the Comp 66 and Route 808. You can plug in and out to either pedal to isolate it, or go into the compressor and out of the overdrive to use both. One of my faithful readers said that was not the case, and that I really ought to give it a try; so now I have done that... but unfortunately my assumptions were correct. We powered our review Route 66 V3 using the clever Visual Sound One Spot adaptor which we reviewed back with a bunch of other Visual Sound pedals, back in Issue 27. It runs on standard Boss-type 9V DC. The magic of the original Route 66 was how well the two effects worked together, and this reboot somehow improves on that. document.write('Find the Visual Comp 66 on Ebay');Find the Visual Comp 66 on Ebay or on Amazon. The Compressor has sustain, tone, and gain knobs. I had previously not bothered to review it because I assumed it would be noisy and lose low end, like the rest of those. Does it cover all angles and get rid of all those other pedals you have? There are approximately one million and one of each currently on the market, requiring more and more valuable space on your pedal board, but wait... what if there was a pedal that had both pedals in one, that would be awesome, right? One of my faithful readers said that was not the case, and that I really ought to give it a try; so now I have done that... but unfortunately my assumptions were correct. The pedal I'm reviewing is the newer version in their weird-looking housing. This could work fine for live/stage use, where those fundamentals are usually not amplified much anyway. Find helpful customer reviews and review ratings for Visual Sound V2CMP66 Comp 66 Compression Pedal at Amazon.com. I had previously not bothered to review it because I assumed it would be noisy and lose low end, like the rest of those. Visual Sound One Spot Adaptor. The Overdrive has the gain, tone, volume knobs characteristic of a tubescreamer. It's a good cutting overdrive, designed for both guitar and bass. I, ve been playing for 15 years and I've had a lot of pedals and the majority I sold. Die überarbeitete V3 Version des legendären Visual Sound Route 66 hat alles, was dieses Pedal so beliebt machte und jetzt noch die Möglichkeit, den unbearbeiteten Sound dazu zu mischen. It has an "always-on" noise gate (with no controls) that shuts off the noise between notes, but (a) it doesn't do a very good job, and (b) the sound of it opening and closing is obnoxious.  Using the two together as you might expect, you can get some very interesting sounds, from slightly crunchy funk rhythms right through to endless sustained notes. I would put it more in the boost level rather than a full-on overdrive, and as a boost it works just fine. Visual Sound Comp 66: This pedal is in the Ross/Dyna/Keeley family of comp circuits. This is the third generation of the Route 66, and some noticeable additions include silent true bypass switching, leaving your tone intact without pops or clicks when you switch. So there's this big hump in the lows, but fundamentals below a low E are gone. This overdrive claims to be based on the classic TS-808 Tubescreamer. This pedal is also available paired with a Tubescreamer clone, and an earlier edition of that pedal was also available in a differently-shaped housing; I'm betting there is no difference in quality between the various versions.  It made my Deluxe’s clean tone blossom with beautifully warm high end. But whilst it is very good, I couldn’t help but thinking it lacked a little punch. It is quite noisy at all settings, and in fact the noise is a bit worse than most Ross/Dyna types. The Route 66 is a very good combination pedal that sounds great, doesn’t sap your tone, with plenty of controls to play around with. Klassische Compression kombiniert mit.. With the tone switched off, the effect has the mid-hump characteristic of its family. The guys at Visual Sound have built some pretty cool dual-mode pedals in their time, the most famous being the Jekyll & Hyde Overdrive/Distortion and Route 66 Overdrive/Compressor. Smooth, with not too harsh an attack and bell like cleans make this a very good stand alone compressor pedal. Crunch mid way and compressor up fairly high makes your legato runs chime and feel effortless as any volume dips are evened out. Let's have a look at each side of the pedal in more detail. The Verdict Visual Sound has packed two greats stomps into one box. Too much and it all sounds a bit fake and notes lose their punch, too little and you lose the smoothness that you set out to get. Depending on what you play quite possibly, but if you need a really saturated gain sound then you may have to add an additional overdrive pedal, or help it along with amp overdrive. Read honest and unbiased product reviews from our users. Visual Sound Comp 66: This pedal is in the Ross/Dyna/Keeley family of comp circuits. Extensive compressor reviews and FAQ. Enter the Route 66 V3 from Visual Sound. At stage volume the Route 66 was comfortably quiet. At somewhat high compression settings it really brings forward your upper harmonics, giving a bright, present, fat sound. Despite taking up, as its name suggests, minimal space, this clever adaptor can handle many pedals and is a very cost effective power source. The ease of use to speak of is quite abundant. Something fairly inexpensive, but still fairly good. With the tone knob to the left of 12:00 this can give you some prominent low end, however the circuit still cuts off the lowest frequencies just as much as its relatives do. V3 Route 66; V3 VS-XO; Archive Products. It has a tone control, actually it's a tilting EQ, and a switch to engage or disengage the EQ. I cover clean, mild overdrive, medium gain, and high gain short of the most modern metal with music I play with other people or write This article was originally published in issue #33, To read the article in its entirety, view the digital magazine, Our website uses Cookies - by using this site or closing this message you’re agreeing to our Terms & Conditions, Cookie Policy and Privacy Policy. ), but for standard all round operation option two will be your best shot, and that's what we did here. I've been playing guitar for a few years now and this is my first compressor pedal. Price in USD: $100 new, $30-$60 used  We gave it four stars in our first review and see no reason to change that opinion. Hey guys, just wondering if any of you've had any experience with this particular pedal and how it is? V3 Dual Tap Delay; V3 Tap Delay; V2 Archive. How is the compression? The quality of the compression was very good, delivering near endless sustain when turned right up, with somewhere in the middle offering that cool funk rhythm sound. We powered our review Route 66 V3 using the clever Visual Sound One Spot adaptor which we reviewed back with a bunch of other Visual Sound pedals, back in Issue 27. It does have a fair few knobs, controls, not to mention ins and outs, which can seem a little overwhelming on first inspection, however, all is pretty straightforward once you start having a play around. Not all compressor pedals have this, and it's a great feature meaning you can tailor it to your exact needs. Despite taking up, as its name suggests, minimal space, this clever adaptor can handle many pedals and is a very cost effective power source. I've got it narrowed down to one of these two. There are some pedals that us guitarists just can't be without (at least, that's how we justify them!). For a different array of tonal qualities and to add other pedals in between, you can go into the compressor, run a short cable out and into the overdrive, then back out of the overdrive (!

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